The same view as 013 and 014, this is painted in late afternoon light. This is the key work in the series, where the study was soaked in turpentine to release it's pigments and filmed in reverse for On Rag (see here https://www.wklyhne.co.uk/on-rag-comfort-ye) . The magic of the rag paper is that it could stand the whole process as well as washing afterwards, with only a small tear and streaking of pigment.
About these works: These are painted sketches, bobbly, stained with pigment and the oil it leaks, with marks of making and the wear of paper, and the paper becomes worn and bobbly, all speaking to the materiality of the subject, of fabrics shapes throughout the shifting light of the day . The oil from the paints leaches out in a stain, all speaking to the materiality of the subject. They are on coarse paper, taken from a sketch book, handmade in India, made by women, from rags, in a co-operative set up by Ghandi called Khadi, to raise money for women and their families.
Fabric has a distinct relationship with women; on the body, in the body, the stuff of Feminist art making since the very beginning. In the sale of these works ten percent of profits will go to Action Aid to support their campaign to fight period poverty, which affects women and girls all over the world. Access to sanitary products, safe, hygienic spaces in which to use them, and the right to manage menstruation without shame or stigma, is not a reality for many. Women and girls' education, well-being, and sometimes entire lives are affected.
Oil Paint on Cotton Rag Paper
16" x 24" (40cm x 60cm approx.)